Contemporary Argentine video artisan Mika Rottenberg’s video installation, “Bowls Balls Souls Holes,” is on appearance through November 10, 2018, at Spruth Magers, Berlin.
“Bowls Balls Souls Holes” appearance site-specific video spaces that repurpose Rottenberg’s blur sets as sculptural assemblages to frame, accommodate and extend her adorable videos. According to the Gallery. “these altar generally announce gender and class; agreeable with the specific capacity of gendered work, commodified bodies and the all-around feminization of activity that are alive in her videos.”
“Rottenberg’s video installations cautiously dispense video as a average that tends to abrade reality, by allowing spectating bodies and filmed bodies to actually abide the ‘same space.’ At the access of the accepted exhibition, in a baby attenuated space, a brace of blush ample aperture protrudes through an aperture in the wall. ‘Lips (Study #3)’ (2016), is a alloyed media carve consisting of silicone-cast aperture that allotment to anatomy a aperture assimilate a baby mirror-box on which a video plays. The video is a capricious bend of beating wet tongues, puckering lips, beard braids, and bright ocks that are anchored in a ashen three-dimensional surface,” writes the Gallery.
A wall-mounted air conditioning assemblage hums and drips baptize assimilate a domiciliary bulb that sits on the attic beneath in the aing space. “AC and Bulb Sculpture” (2018) creates a acoustic ambiance that isolates a banal accustomed moment into a detached and abrupt assemblage of anapestic and beheld curiosity.
“In this acute rhetoric, Rottenberg explores the amazing and bewitched abeyant of a hyper-capitalist, globally affiliated reality. Bodies, class, gender and labour are active in an industry area alike airy and abstruse forces, such as luck, can materialise into a absolute abridgement of objects, units and value,” the arcade adds.
Mika Rottenberg (b* 1976, Buenos Aires) lives and works in New York. She advised art in Israel and New York, afore commutual her MFA at Columbia University in 2004. The Goldsmith CCA, London presents a abandoned exhibition by Mika Rottenberg from September – November 2018. In contempo years, she has captivated abandoned exhibitions at institutions including Kunsthaus, Bregenz (2018); Bass Museum of Art, Miami, FL (2017); Palais de Tokyo, Paris (2016); Shishang Art Museum, Beijing (2015); The Rose Art Museum, Brandeis University, Waltham, MA (2014); The Israel Museum, Jerusalem (2013); and Nottingham Contemporary, Nottingham, (2012).
The exhibition is on appearance through November 10, 2018 at Spruth Magers, Oranienburger Straße 18
For details, visit: http://www.blouinartinfo.com/galleryguide/spruth-magers/overview
Click on the slideshow for a blink at the exhibition.
Founder: Louise Blouin
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