The new anthology is a bit new wave, a bit DFA-style ball rock, but mostly, the complete idles.
The CD awning for “Comedown Machine, by the Strokes. (RCA )
“The Comedown Machine”
One of the key axioms of the acting barter is to never assume atrocious for a role. To be a hot commodity, behave like you couldn’t affliction less; those who arise to charge a job are at a disadvantage. “The Comedown Machine,” the fifth anthology by New York bandage the Strokes, exudes nervousness; you can about see chaplet of diaphoresis basic on the band’s foreheads as it works, and fails, to break accordant while casting off controllable 1980s-style ditties.
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The sonic agnate of a backyard mower dabbling in a driveway, “The Comedown Machine” is a abstract invention, one that expels a lot of activity to no apparent end. It shows a bandage apprehensive on its abode in the music apple and advancing up blank.
The almanac suggests new beachcomber and touches on DFA-style ball rock, both sounds the Strokes already fiddled with on their antecedent record, “Angles,” after any faculty of urgency. This one ability accept a little added answer and texture, but these ancestry aren’t enough.
If the group’s arch debut, “Is This It?,” conjured the assertive CBGBs jailbait of 1976, “The Comedown Machine” suggests the watered-down, corporatized new beachcomber of Haircut One Hundred.
As usual, diva Julian Casablancas buries his articulation abysmal in the songs, as if to aish affect while declining to affectation his stylistic weaknesses. “Chances” sounds like an outtake from “The Breakfast Club” soundtrack. Even the album’s best track, “Call It Fate, Call It Karma,” falters, mostly due to Casablancas’ disability to bear a acceptable articulate to accompany the smoky-lounge vibe of the song.
Maybe the Strokes aloof got advantageous with their aboriginal record, because 12 years is a continued time to not accomplish at equaling its promise. Or maybe the bandage fabricated a deal: One excellent, affecting almanac in barter for a continued assignment on the anticlimax machine. Either way, “The Comedown Machine” is a drag.
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